The Worker’s shoes

a-pair-of-shoes-hero1‘The shoes’ by Vincent van Gogh

One of the paintings Heidegger wrote about is Van Gogh’s painting of a pair of shoes. In itself nothing particular, nothing sinister, nothing revealing, but the gnostic essence which is laid bare by Heidegger reveals a hidden side of this ‘simple’ painting. To Heidegger art reveals what a being ‘really’ or ‘in essence’ is stands for.

Heidegger regards these shoes as a tool, but one that seems unused, abandoned in an indefinite space. Heidegger notices that the shoes do not carry any traces of earth: “Just a couple of peasant’s shoes. And still.”

Through this painting Heidegger describes the essence of truth as an “unconcealedness”, something that has been dis-covered so to speak. The etymology of the English word ‘discover’ shows this most beautifully: a ‘cover’ has been taken away. The truth brings to light what was originally hidden, covered, veiled. To loose the truth means that everything will be hidden once again.

Heidegger used the painting of the shoes to talk about truth, about a particular event of revealing. Heidegger describes most poetically that from within the “dark opening” of the used shoe the “effort of labor” stares at us. The shoe as a tool is not something that should be cast away, as it has helped the laborer, the worker, the farmer during his hard and honest work on the field. Heidegger describes how “the wet and saturated earth sticks to the leather”. In this shoe “resounds the silent call of the earth” and how the earth has given us the grain. “The shoe (therefore) belongs to the earth and it is protected in the world of the farmer.”

The connexion with the Earth/Eorthe is a very important and most symbolic one. The Conservative Revolution, to which Heidegger belonged, was well aware of the gnostic and sacred importance of the Earth as a major force that is the exact opposite to the Enlightenment and the Industrial Revolution. These events have ‘centralized’ man’s position (in disadvantage of the Sacred) and his dependence on technology. One could say: the ultimate phase of the Kali Yuga in which man is alienated from the mystical origins of the Earth and started to disrespect the earth and its raw materials by turning these into mere instruments of profit. Today, only real craftsmen respect the genuine truth within raw materials such as the earth, wood, water, leather and so on. From within those raw materials the work of art presences itself and the craftsman, like Jünger’s worker-soldier, merely channels these hidden forces.  

A true craftsman presenced these shoes. They do not have a particular shape, they are dark and, as Heidegger notices, “the darkness shines from within them”. Their connexion with the Earth is therefore an acausal one: an acéphalic (beyond human and limited reason) resonance from das Heilige (Hölderlin), the abysmal Sacred (Bataille). The shoes are human tools but these ‘worker’ shoes form a connexion to a deeper and more traditional world. The same applies to the combat shoes of soldiers, the sandals of monks and so on. Such men transform and presence acausal forces, and their labor, their work, their struggle brings the Truth to light.

This cthonic resonance of the shoes brings us to the Greek pantheon of Dark Gods (Dionysos, Demeter,…) who reside in the Sphere of the Hidden, the Acausal, but which can be invoked by adepts, initiates of a Traditional Weltanschauung. A Weltanschauung which criticizes the modern world and its lack of the Sacred. Sinister traditions like the ONA’s, David Myatt’s Weltanschauung, the Conservative Revolution, the Traditionalists, Radical Paganism, the New Right all share this criticism, and their ‘acéphalic mission’ to bring forward the eternal essence of the Truth.

Their initiates do not simply see a used pair of shoes, but they all can hear its call which descends from the Greeks and rises up to the present Völkisch communities and those to come. I invite you to look at these shoes differently as well!

Von Sanngetall, 129 yf  

The Acéphalic community

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We must keep in mind the following acpehalic points of Bataille’s Programme drawn up in 1936. An important periode as the Great Depression ruled Europe and many intellectuals were dissatisfied with the parliamentary democracy, the industrial revolution. The Conservative revolution in Germany was the strongest outburst of dissatisfaction, but Bataille also shared a number of ideas. We must keep in mind though that Bataille did not seek for the birth of a new ‘political’ movement, but his Weltanschauung certainly had a return to the Sacred in mind for the West.

 1. Form a community, creative of values, values creative of cohesion.

2. Assume the function of destruction and decomposition, but as an accomplishment, and not as a negation of being.

3. Realize the universal accomplishment of personal being in the irony of the animal world and through the revelation of an acephalic universe.

4. Take upon oneself perversion and crime, not as exclusive values, but as integrated within the human totality.

5. Realise the personal accomplishment of being and its tension through concentration, through a positive asceticism and through positive individual and collective discipline.

6. Fight for the decomposition  and exclusion of all communities socialist, nationalist, communist or churchly.

7. Affirm the reality of values, the resulting inequality of men, and acknowledge the organic character of society.

8. Take part in the destruction of the existing world, with eyes open to the world to come.

9. Affirm the value of violence and the will to aggression insofar as they are the foundation of all power.

Meditate on these words and incorporate them in your Sacred  Weltanschaung. Today’s ultra political correctness and cheap leftist anthropocentrism has turned many of these statements into negative, forbidden and in-human principles. Yet our mysticism is of a Nietzschean kind: tragic, organic and true to the Eorthe, vibrant, the affirmation and destruction of life, truly human, un-relentless, poetic & mythological.  These statements are of an ultimate aeonic importance as they lay the foundation of a possible new Western world / civilization to come. One we cannot envisage or practically aim for, but we need to be reminded of a possible Return to the Origin of the West: the Greek bewilderment. This present World cannot be our aim as it would stifle our actions, but we must always remind ourselves of our Gnostic origin and the discontinuous state of Being.  

As Christos Beest (ONA) once explained the ‘earthing’ of acausal, Numinous forces is done by adepts and initiates of the Sinister Path, by warriors, poets and artists, and thus ‘earthing’ is laying/preparing the esoteric foundation of a new world to come.

Like Bataille we want to cultivate and re-instate the Sacred again and we genuinely believe in the need of an elective headless (anarchic – Jünger) communities in order to unleash the Numinous forces again. Bataille referred to these “as a secret society, network” or even an “order” in the truly religious or initiatory sense. Such communities were/are the setting for the examination of and experimentation with “truths that lacerate, which absorb those to whom they appear and is even animated by a movement which distances from them.” (Irwin, Saints of the Impossible, p. 19). The idea was to corrode the wider society through the sacred energies embodied by the community focused on figures of Death (our Sein-zum-Tode) and beyond any instrumental logic.” Acéphale had no explicit ‘political’ agenda, no goals beyond this one: “Existence, that is to say tragedy”. Our prophet aimed at a shattering of the “principle of the head” as all revolutions have historically lead to just another tyranny (one “head”) based on mundane and worldly power.

The “head” so to speak sucks up all the blood, all the vitality of the society, and therefore paralyzes all vitality, creativity by turning it into an obedient, lifeless servility. One must not forget that a society, a community is an organism just like our bodies and the blood needs to flow freely through the organism. There can only be a ‘leadership’ in the occult sense: those who have been initiated and gone through several ordeals. Their fearless and harsh leadership is beyond the need for power or domination, as they have transcended hubris. They are devoted to the collective and its numinous connexion.

Such communities, like the Nexions of the Sinister Tradition, genuine monastic orders exist beyond the mundane realm. Of course, they participate in ‘mundane’ actions such as taking care of and protecting each other, educating each other, making dinner, growing vegetables and so on, but all in harmony with their natural surroundings. These actions have become Numinous and therefore ‘reason’, as promoted by the Enlightenment and positivist science, has been left behind. These Acéphalic communities are not ‘managed’, but they are alive, they thrive from the blood energy of their member who remain faithful to ancient traditions and to the land where they have grown up. Therefore according to Bataille: “The formation of a new structure, of an ‘order’ developing and seething through the entire earth, is the only real liberatory act – and the only one possible.” (Irvin 20).

Like Bataille we genuinely are fed up with the inertia (still present) of the West, and we are dissatisfied with the instrumentalism that dominates the hegemonic Weltanschauung and so, poetic-ontologically, we have no choice but to think of alternatives. Today, orders such as the Order of Nine Angles, the remaining medieval monastic orders, occult groups with a Pagan Weltanschauung, Traditionalists all carry with them the everlasting flame, Pneuma of the Deus Absconditus. The life forms that are (being) established by them form that very alternative. As the West is slowly dying, infested by its own corruption and greed, these communities (even when they come and go) are the sign that alchemical gold grain of the West is not lost and still fertile.

These manifestations of the Vril strengthen me: GA WATH AM! The JOY before DEATH!

Von Sanngetall, 128 yf

Das Ganz Anderes: Genfärd

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(Art by Kristian Olsson)

I have been listening over and over again to Genfärd and I can hear Genfärd playing in the Abbey of Humility. A crushing non-presence, a violence that is so quiet and so fulfilling. The grinding noises, the floating voices are meditative and quietly lead up to the Apocalypse as our technological Nihilism demands its price, its toll. This is the sound of the last industrial machines trying to keep up the last human era before pure Being (a return to the Greeks!) will surface again in its utter splendour and awe. The music demands our devotion to the Sacred, our humilty, and at the same time we enjoy the Sadistic Nature of Being, its cruelty which we can hear through those creeping and screeping sounds. This is an awakening into a state of utter torment and inhumanity.

A non-comforting, a nauseating sense of urgency, radio-frequencies of a past war, a lurking primitivism captivate the listener, take a hold of him and turn him into a Victim-Executioner: the loss of Self.  The music is master! In the distance metallic sounds intersect with suffocating ambient clouds, like the gas clouds described by Jünger in his war novels. The invisible, yet foul smelling Death. Poisonous clouds as messengers of Death that come and go with the wind. The interplay of Death and the Elements. A martial beating of drums that announce the coming of the Svn who gives herself relentlessy and without mercy. Caught within the trenches of Life we must face the inevitable, our Sein-zum-Tode and the Joy before Death that welcomes it. Within Eorthe the putrefaction is at work and this also symbolizes the Alchemical process within us as Adepts of ancient paths, such as the Seven-fold Way of the ONA.

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(Art by Kristian Olsson)

This music echoes the Abject core of our inhumanity (and for the chosen ones: a sur-humanity) – the Bataillean abject matter which is alive and pulsing. Genfärd enriches us, flows through our being as its sound is an excremental one:

“Sexual activity, whether perverted or not; the behavior of one sex before the other; defecation; urination; death and the cult of cadavers (above all, insofar as it involves the stinking decomposition of bodies); the different taboos; ritual cannibalism; the sacrifice of the animal-gods; omophagia; the laughter of exclusion; sobbing (which in general has death as its object); religious ecstasy; the identical attitude towards shit, gods and cadavers [….].” (Bataille, the Use-Value of D.A.F. de Sade)

Bataille identifies two polarized human impulses: excretion and appropriation. These are our excremental, orgiastic impulses vis-à-vis our  institutions, traditions, and both come natural to us and are developed through us, and not by us.

The two pillars of the Temple of our Acéphalic Weltanschauung symbolize the extreme “human and all too human” duality of these two impulses and we regard them as an enormous force, as an UR-manifestation of the in-human, the acausal, the black flame within us. Truly religious (re-ligare: the connexion with the Numinous) communities/nexions, dictatorial religious (mysticism of the Blood) states are a prime examples of communities where these impulses are given their freedom and where they both reinforce each other despite their seemingly opposite nature. One must look beyond their appearance and see their cosmic interplay as the cosmic itself is a violent and living organism. We regard das Ganz Anderes, the Bataillean heterogeneous, the radical Other as an important emanation of the Sacred that encompasses everything.

Genfärd is a collection of audible heterogeneous matter, throbbing and active base matter having its own eternal existence. The artist has been able to dive headlong into the Volcano of our impulses and after a careful and alchemical Work has been able to extract the most quintessential Numinous sounds.

Solve et Coagula! Behold the ominous Silence within them. Let the sounds of Genfärd guide you.

Von Sanngetall, 128 yf